That is streaming quality. Sometimes worse. Cinematographer Michael Berlucchi (known for his work on The West Wing and ER ) shoots The Pitt with a specific visual language: handheld verisimilitude, harsh fluorescent lighting in the trauma bays, and subtle shifts in color temperature as the shift moves from dawn to dusk to the dead of night.
A proper Blu-ray would include a 5.1 or Atmos track at 3-4 Mbps. On a BD-25, the audio is the first organ to be cut to save the patient. To fit 15 hours onto one disc, the studio would likely default to lossy Dolby Digital 5.1 at 448 kbps or, worse, stereo. the pitt s01 bd25
In the emergency room of physical media, a BD-25 for The Pitt would be declared DOA. The compression artifacts would be the hemorrhage. The lossy audio would be the asystole. And no paddles, real or fictional, would bring this release back to life. That is streaming quality
High bitrate compression handles grain and shadow detail gracefully. Low bitrate compression (sub-15 Mbps) destroys it. A proper Blu-ray would include a 5
This is a trap. You are paying $20-30 for a disc that performs worse than a 4K stream from Max. The stream will offer higher dynamic range (Dolby Vision) and a higher, adaptive bitrate. The BD-25 offers only the illusion of ownership.