We see (not the creature) in a 19th-century Parisian laboratory. He’s younger, handsome, manic. On a slab lies the corpse of a tall, muscular woman—a fallen soldier from the Crimean War. Victor whispers:
Victor hesitates. He shows her the Creature (Frankenstein’s monster) locked in a iron cage in the basement, drooling, roaring. Victor explains that the first creation was flawed—too emotional, too violent.
She burns the laboratory down and walks into the snow, alone. The flashback ends. The Bride is crying silently—but only for a second. She wipes her face, stands up.
“I will not create a man this time. No. I will create a partner . An equal. A bride for my monster.”
A slow, mournful cover of “I Put a Spell on You” by Screamin’ Jay Hawkins (diegetic—playing from Nina’s salvaged MP3 player). Post-Credits Scene (WEBrip exclusive) A dark office. Amanda Waller watches a live satellite feed of the serpent storm. Behind her, a shadowy figure steps out of the corner— Peacemaker (in full costume, holding a helmet).
“So… you want me to kill a princess and a god? Or just the god?”
The Creature escapes his cage. He finds the Bride’s room, breaks the lock.
“Summon the Serpent. Not to destroy—to reorder . A world without secret wars. Without hidden gods. Without Amanda Waller.”
