Cheran Recent Movie Page

The greatest strength of Autograph or Thavamai Thavamirundhu was that the message was embedded in the drama. You cried for the characters first, and then understood the moral. In Bakasuran , the reverse happens. The second half devolves into an extended lecture. Characters stop behaving like real people and start behaving like audience surrogates waiting for the next sermon. The subtlety that defined Cheran’s earlier work is largely absent here.

For hardcore Cheran fans, Bakasuran is a welcome reminder of a voice that refuses to go silent. For a new generation of viewers, it might feel like a stern, well-meaning uncle giving a lecture at a family gathering—truthful, but tedious. cheran recent movie

However, his methodology—the slow-burn, didactic, melodramatic style—feels like it belongs to 2005. Modern audiences, even those who love “content-driven cinema,” have been trained by international OTT series and films like Jai Bhim or Soorarai Pottru to expect realism wrapped in tight storytelling, not monologues. The greatest strength of Autograph or Thavamai Thavamirundhu

Cheran has always cast himself as the everyman. But in Bakasuran , at 53, playing a retired professor hunting 20-year-old hackers, the physicality strains credibility. While his performance is earnest, one can’t help but feel that a younger, more dynamic lead might have elevated the material. There is a growing sense that Cheran’s off-screen persona as a moral crusader is now overshadowing his on-screen character’s vulnerability. The Larger Question: Is Cheran Out of Sync with Modern Cinema? The reception to Bakasuran forces a difficult conversation. Cheran is not an irrelevant filmmaker; he is an uncomfortable one. He makes films that should be made. Cyberbullying, digital voyeurism, and the collapse of family structures due to technology are urgent topics. The second half devolves into an extended lecture

The director’s signature long, quiet speeches return. There is a scene in the second half where Sathya Moorthy confronts a young cybercriminal not with a fist, but with a devastating monologue about the weight of a father’s name and the hollowness of anonymous cruelty. For a few minutes, the film soars on pure writing.