Following Ed’s passing, his son continued the legacy. In 2020, a naming rights deal with CAA (Creative Artists Agency) gave the venue its current, slightly corporate handle— CAA Ed Mirvish Theatre . But ask any Torontonian where they’re going for Wicked , and they’ll still say “The Ed Mirvish.” The Acoustics of History Here is the secret that sound engineers whisper about: this theatre listens . With 2,300 seats spread across orchestra, mezzanine, and balcony, the space is intimate enough to catch an actor’s tear but vast enough to hold a full Phantom’s chandelier. The acoustics, refined over a century, turn every note into honey.
And at King and Yonge, happiness has a permanent address. caa ed mirvish theatre
For decades, it bounced through identities: the , the Pantages , and later, the Canon Theatre . But its soul remained constant. When legendary Toronto impresario Ed Mirvish (the man who saved the Royal Alexandra Theatre) took over the lease in the late 1980s, he saw what the building always was: a perfect home for Broadway. Following Ed’s passing, his son continued the legacy
To step inside is to leave the 21st century at the coat check. Originally opened in 1920 as the Loew’s Yonge Street Theatre , this house was built for spectacle. In the golden age of vaudeville and silent film, it was known as a “picture palace”—designed not just to show movies, but to make audiences feel like royalty. Think gilded balconies, a massive ceiling dome, velvet drapes, and enough plaster cherubs to staff a small heaven. With 2,300 seats spread across orchestra, mezzanine, and